Podcast: AM, PM
Thursday, May 17th, 2007A short post simply containing two vignettes: I fill in Tully on the nature of the jelly-wrestling-gone-wrong (which he had missed); I hang out with Vanessa.
It’s funny to look at these posts one year on. Both these people I met during my residency, and both of them I now number among my best friends.
Tully, if you recall, had participated in the hot debate surrounding the male/female chauvinist gaze and the jelly wrestling shermozzle. Despite being heavily involved in the build up to that event, “for some reason he didn’t make it to the Jelly Wrestling on Wednesday night”. Of course, with hindsight, I know that this is no anomaly. Tully is like that. He’ll show up or not, irrespective of how much excitement was generated in the planning and plotting. This moment on the blog simply captured my very first impression of that Tully phenomenon.
Vanessa, too, I now realise, laid her essence out for us blog readers very early on. In this episode, we sit and discuss our relationships with our parents, and she shows me a book about maps. In these maps, geographical locations are overlaid with emotional metaphors. A river, in a map of the path to hell, has a creek running off it, leading nowhere in particular. It’s called the tributary of sloth.
A map is a powerful tool. It has the potential to influence how we encounter a territory, how we anticipate what the place will be like, the routes we choose to reach our destination. It enables us to do something that we could never do: be simultaneously on the ground, and in the air.
But Vanessa and I used maps in quite different ways. When I did my border walks, I used a map to guide my absurd plottings of the limits of the ’sham. My project was fairly literal (”find the edges”) and it allowed chance occurrances to take place and be incorporated.
Vanessa, on the other hand, (in a project she designed during my residency) took a small portion of Parramatta Road and invested it with great meaning, imagining what it might have been like 30 years ago. She used a map clipped from a local paper in 1976 as her stimulus, and then let her mind run with it. Her imagination - and her words - were powerful enough such that, when we actually went on a tour to the shopfronts she had written about, we were able to “map” onto them different lives, in a different time.
Listen to the podcast here.
Read the original post here.

